I’m a brand designer with over 10 years of studio experience building distinctive, resonant identity systems. I’ve worked with global clients across diverse industries – from homes built by robots to boats built by hand – always looking to uncover what makes each brand unique and to craft work that is both expressive and functional.

Alongside my work, I’m currently trying to balance life as a new parent. When I’m able to carve time for myself, it’s usually spent walking the dog or making my own pizza.

 

Studios

SEA (2015–20)
Red Stone (2020–21)
Ascend (2022–)

Awards

Gold, Creative Strategy (AUAR)
Transform Awards 2025

Connect

LinkedIn

More

WIP

A collection of unused, archived and ongoing experimental work.

Project
Sector Context
Services
Project
Sector
Automated Architecture
Construction Tech
AUAR logo and name printed across OSB wall panels between exposed timber studs
Tablet displaying the AUAR MicroFactory product page on a wooden tabletop
People wearing AUAR shirts beside a brand statement about building affordable housing more simply
Hand holding a smartphone showing the AUAR mobile homepage with a Build With Us button
Three smartphone mockups displaying AUAR mobile pages for homebuilding software, factory output, and MicroFactory
Evolution of the AUAR geometric symbol shown as five white mark variations on a black background
AUAR branded tote bag hanging on a wood wall next to a close-up of an industrial robot arm
Person using design software on a monitor in a workshop
Robotic MicroFactory system with industrial robot arms beside a bright green AUAR container unit
AUAR presentation slide on stage reading Designing a better way to inhabit planet Earth
Two AUAR Instagram-style posts featuring a bold lime graphic and a portrait of CTO Gilles Retsin
AUAR manifesto poster beside two isometric brand stickers in white and lime on a black background
The building blocks of a better future
1/18

Automated Architecture are a construction technology company founded on a simple belief: high-quality housing should be easy to build. Better for people. Better for the planet.

Our goal was to elevate AUAR from experimental architecture lab to serious industry contender. Their approach and model were already groundbreaking; we needed to help them communicate it with clarity and confidence to resonate with home builders from Belgium to the United States.

The identity draws on AUAR’s voxel-based software, informing the construction of the ‘a’ symbol and a flexible system of grid lines and connection points. The use of a single-weight typeface adds a deliberate symmetry with their focus on a single material. AUAR is now positioned not just as builders of homes, but as pioneers shaping the future of construction on a global scale.

AUAR secured £5.1M investment in 2025.

Completed at
Ascend Studio

Services
Identity, Website, Motion

Website
auar.io

Credits
Creative Director: Paul Croxton
Senior Designer: Harry Stewardson
Team Photography: © Hermione Hodgson
Product Photography: © Handover
3D Models: XO3D

Year
2024

Sixes
Social Entertainment
Sixes storefront window graphic reading Nothing Beats Hitting Sixes with striped circular decals
Grid of colourful circular venue badges with striped patterns and city names for Sixes locations
Sixes London Bridge homepage mockup with venue photo, navigation menu, and booking call to action
Promotional graphic showing the Sixes mobile site among cricket balls beside a bright pink Book Now banner
Responsive Sixes website mockups showing venue pages, drink menus, local venues, and group bookings
Red Sixes venue awning with white logo lettering above the entrance
Pink and white Sixes cap with embroidered S logo resting on a stack of cricket books
Collage of Sixes brand guideline pages featuring logo design, colour palette, typography, and venue graphics
Nothing beats hitting Sixes
1/15

Sixes turns a love of cricket and great hospitality into a full-swing social experience, where anyone can step up to the crease.

The identity is crafted around what sits at the heart of cricket: the feeling of belonging to a team and a culture. And because every team needs its colours, the cricket stripe became the focus of the visual system – showing up in various physical and digital spaces of the Sixes brand.

A defining feature of Sixes is that each venue has its own unique atmosphere, from the original venue in Fulham that oozes the cosy buzz of a traditional cricket clubhouse, to the larger and grander flagship venues of Fitzrovia and London Bridge. To reflect this, we gave each venue its own set of team stripes that are used on the venue pages of the website, across staff uniforms, and in venue-specific social posts. A simple way to give each location its own identity within the wider brand.

Completed at
Ascend Studio

Services
Strategy, Identity, Website

Website
sixescricket.com

Credits
Creative Director: Paul Croxton
Senior Designer: Harry Stewardson
Motion: Jack McKeon
Copywriting: Ali Owen & Josh Baker
Photography: Yi Lin Eng

Year
2025

Ascend Studio
Brand Agency
Lifting up ideas, people & culture
1/4

Coming Soon

Compass Lexecon
Professional Services
Compass Lexecon
Full-circle knowledge
1/10

Compass Lexecon are a global economics consultancy providing legal, strategic, and public policy expertise to law firms, corporations, and governments. 

We worked with them to design a new website that projected their broad capabilities through easy access to a comprehensive source of cases and insights, delivered evidence of credibility through the quality of their people, and showcased their global reach across 4 continents.

The approach to the design leans into the ‘full-circle of knowledge’ that Compass Lexecon describe themselves as, and which forms their existing logo. Previously using lots of sharp corners and squares, the circular form is incorporated throughout to tie the brand and website together and ultimately modernise the UI.

The content structure is focused on intuitive browsing, incorporating a rich mega menu, accessible related content, site-wide search functionality and detailed location information to enhance content discovery and provide recommendations tailored to user interests.

Completed at
Ascend Studio

Services
Website

Website
compasslexecon.com

Credits
Creative Director: Paul Croxton
Senior Designer: Harry Stewardson
Development: Hallmark
Motion: Jack McKeon

Year
2024

Venner Shipley
Professional Services
Where innovation finds its perspective
1/15

Venner Shipley are one of the UK’s leading intellectual property firms, working with businesses, universities, and individual inventors to protect their ideas and help progress technological and scientific innovation.

Our role was to help redefine their position from pure IP to a more diverse service and sector offering, as a result of multiple acquisitions. We created an identity that is guided by the notion of perspective, using square planes at different angles and viewpoints to form the symbol and the wider visual language.

Venner Shipley have continued to expand post-rebrand, acquiring two more firms and opening two more offices.

Completed at
Ascend Studio

Services
Identity, Motion

Credits
Creative Director: Paul Croxton
Senior Designer: Harry Stewardson

Year
2023

Story Ninety-Four
Podcast Production
Video-first podcast production
1/9

Story Ninety-Four are a film production company creating diverse video content with a focus on strong storytelling. They approached us having outgrown their original branding and looking to present themselves as a more established, all-round production company.

The brand direction emerged after joining them on a production. Seeing their complex, multi-stage workflow inspired an identity built from individual elements that come together to create something unique and compelling.

The symbol was built by constructing angular shapes within the 9 and 4, taking cues from the sharp lines of camera framing. As the forms developed, the combination began to also suggest the shape of a film camera, which clicked it all together and acted as a subtle nod to the origins of the industry.

Services
Identity

Completed at:
SEA

Credits
Creative Director: Bryan Edmondson
Designer: Harry Stewardson

Year
2020

Quantios
Professional Services
Quantios logo mounted on a dark green vertical slat wall
Coming Soon
1/1
Ship To Shore
Boat Building
New wave heritage
1/11

Ship To Shore are a bespoke boat building company based in the historic Boathouse 4, HM Naval Base in Portsmouth. Passionate about the endangered craft of traditional wooden boat building, they specialise in repurposing old vessels and giving them new life.

We worked closely with founder Peter Collins to create an identity that could stand confidently within a niche industry defined by long-established makers. The challenge was to carve out space in this heritage-led category while signalling a modern, forward-thinking approach rooted in care for both craft and planet.

The identity combines the two S’s of Ship To Shore into a fluid, wave-like symbol, representing the connection between land and sea, past and future. The mark reflects their philosophy of restoration, renewal, and protection, supported by simple, deliberate typography that reinforces their one-of-one, bespoke approach to boat building.

Completed at
Ascend Studio

Services
Identity & Website

Website
shiptoshoredesigns.co.uk

Credits
Creative Director: Paul Croxton
Senior Designer: Harry Stewardson
Photography: © Peter Collins

Year
2023

Design for Rail
Exhibition
Overhead view of the Design for Rail exhibition showing floor graphics, display table, and heritage-inspired tiles
Black and white geometric printed materials displayed in an overlapping flat lay
Design for Rail exhibition signboard beside a staircase with bold graphic branding
Blue and yellow Design for Rail graphic cards displayed on wooden seating
Wide view of the Design for Rail exhibition space with visitors, projection screen, and interactive display tables
Design for Rail brochure inside spread flat lay showing depot mascots
Design for Rail exhibition interior with projection screen, display table, and branded floor graphics
The original moving brand
1/10

A self-initiated studio project that explores the Railfreight identity, introduced on UK rail networks in the late 1980s. The redesign, by Roundel, broke away from the tired image of British Rail’s freight services by introducing a more graphic and coded visual system, with strong colours and symbols used to divide the operation into different sectors.

The outcome was an exhibition at D&AD, supported by a printed catalogue that documented the extent of the identity and its background. The project was produced with support from various industry sponsors, with the aim of bringing attention back to a piece of British design history that hadn’t been widely seen for decades but still feels relevant today.

Services
Exhibition Design

Completed at:
SEA

Credits
Railfreight Identity: Roundel
Creative Director: Bryan Edmondson
Senior Designer: Mike Davey
Designer: Harry Stewardson

Year
2018

Kinetic Flags
Personal
Black information card about the chequered racing flag over a vintage black-and-white motorsport photograph, with historical text and a small checkered icon.
Flag study with motion emphasis
1/10

Kinetic Flags is a self-initiated project that began during lockdown as a personal challenge to memorise national flags. While searching for good resources, most of what I found online felt poorly designed or overly gimmicky, often focused on quizzes or heavy visual effects. With the time available, I decided to create my own resource and use it as a way to develop my motion skills.

I created the name Kinetic Flags along with a simple logo and visual direction, then began animating. I started with flags that felt visually strong or offered interesting opportunities for movement, using animation to reveal how each design is constructed.

The project developed into a repeatable post format combining animation, the flag itself, and supporting information, allowing each piece to work as both a motion study and a reference. It’s still ongoing, with potential to expand into a larger archive or website, with the aim of building a resource that looks at flags as pieces of design, using motion to make their structure and meaning clearer.

Completed at
Self-initiated

Year
2020

Logos
Various
Koda logo in white on a black background
'D' symbol in white on a black background
Wathe logo in white on a black background
Story Ninety-Four symbol in white on a black background
Quantios logo in white on a black background
AUAR symbol in white on a black background
Venner Shipley logo in white on a black background
Logos, symbols and logotypes
1/7

A collection of used and unused work.

Shape_1
Gradient_1
AUAR Poster
Palette_1